Curriculum

He started his professional activity with ‘Nicho Varullo’ and ‘Os kinindiola’ in the late 80’s. In 1991, he entered ‘Chévere’ Theatre Group, where he worked as a composer and actor. Together with Pepe Sendón, he provided the group with a great musical dimension with sound tracks (‘Río Bravo’, ‘Big Bang’ and ‘Órbita Mutante’), ‘Resaca’ (poetry reading) and ‘Annus Horribilis’ (operetta). As a comic actor and gag creator, he participated in ‘Máquina Total’ and ‘Ultranoites da Nasa’ (1993-98). He was one of the founders of ‘Nasa’ in 1993 and in the following five years, he composed multiple songs for the ‘Banda da Nasa’ in collaboration with Sendón, Carlos Santiago and Manolo Cortés. During this period, he also composed for ‘Amen’ by María Bouzas and María Pujalte and for ‘Quid Pro Quo’ by ‘Ollomol Tranvía’ in collaboration with Piti Sanz (he shared ‘María Casares’ Prize for the sound track of ‘Finis Mundi Circus’ by Mofa and Befa). In 1998, he left the project Chévere–Nasa and started an intensive activity as a composer in Portugal. In the following years he produced sound tracks: ‘Transviriato’, ‘A Barca do Inferno’, ‘Au Gaciar’, ‘Memoriar’ (a work for Expo 2000 in Hannover), ‘A Queima do Judas’, ‘Deus Danado’, ‘Ascensión e Queda de Zé Grotewski’, ‘Abrazo de Ferro’ and ‘Nun April e fechar de Olhos’. He was one of the founders of ‘Psicofónica de Conxo’, one of the most original proposals in Galician music with two edited records: ‘Psicópolis’ and ‘Extramundi’. In collaboration with Pepe Sendón and Fausto Isorna, he also created ‘O Labirinto dos soños’ (audiovisual work), first performed on Galician TV at Christmas (2003); the film was also edited on a CD. As he creates music for independent Galician theatre, he collaborated with ‘Mofa e Befa’ and ‘Belmondo’.