Work & Activities

He collaborated in ‘Shakespeare and Spain’ (2002) and as a playwright, he wrote: ‘Niños, no hacer trampas’ (1968, first performed in 1971), ‘Mac y Marjorit’ (1968, first performed in 1970), ‘Sin título, sin autor (El poema del niño)’ (1969, first performed in 1970), ‘La Máquina que sabía hacer actores’ (for children, 1977), ‘Xan, O Perruzo’ (1981, this play was awarded a prize of the Ministry of Culture for helping young authors), ‘Atlántico’ (1982), ‘O país acuático’ (Infantil, 2000), ‘Alta Comedia’ (2001), ‘As damas de Ferrol’ (2002), ‘Ensaio’ (2004) and ‘Confesión’ (2005).
As a theatre adapter, he made the versions of the following works: ‘El Principito’ by Saint-Exupery (1971), ‘O enfermo imaxinario’ by Molière (in collaboration with Manuel Guede, 1987, Edicións Xerais), ‘Medea’ by Eurípides-Séneca-Anouilh (in collaboration with Manuel Guede, 1988, Edicións Xerais), ‘As Alegres Casadas’ by William Shakespeare (in collaboration with Manuel Guede, 1997, Edicións Xerais), ‘Rei Lear’ by William Shakespeare (in collaboration with Cándido Pazó, Compostela Prize to the best theatre version (1991) and published in 1998 by Edicións Xerais), ‘Tagen Ata’, about a story by Méndez Ferrín (in collaboration with Manuel Guede), ‘Un soño de verán’ by William Shakespeare (in collaboration with Manuel Guede), ‘As Vodas de Fígaro’ by Caron de Beaumarchais (in collaboration with Cándido Pazó, 1995, Edicións Xerais), ‘Noite de Reis’ by William Shakespeare (in collaboration with Imma Antonio), ‘Lisístrata ou de cando as mulleres reviraron’ by Aristófanes (in collaboration with Manuel Guede, 1996), ‘Feirantes’ (scenic version of some stories by Álvaro Cunqueiro collected in the book ‘Os outros feirantes’, 1999), ‘A Celestina, comedia dos tolos amores de Calisto e Melibea’ by Fernando de Rojas, (2000) and ‘A Cacatúa Verde’ by Arthur Schnitzler (in collaboration with Manuel Guede, 2001).
As a theatre lightning technician, he designed the lightning works in all the performances he directed and also in the following ones: ‘Fas e Nefas’ by Eduardo Blanco Amor (1999), ‘A Mostra’ by Cándido Pazó (1999), ‘Xogos á hora da sesta’ by Roma Mathieu (2002), ‘Campo Sur’ (2002), ‘A Comedia do Gurgullo’ about texts by Plauto (2003), ‘A Paz do Crepúsculo’ by Itziar Pascual (2003), ‘As Laranxas máis laranxas de todas as laranxas’ by Carlos Casares (2004), ‘García’ by Cándido Pazó (2005), ‘Merda’ by Ricardo de Barreiro, Rafael G. García and Xavier Estévez (2005) and ‘La naturaleza del animal’, by Marcelo Marán (2005).
As a theatre director, he made the staging of plays such as ‘Laudamuco, Señor de ningures’ (1978), ‘Lenta Raigame’ (1979), ‘Bailadela da Morte ditosa’ (1980), ‘Celtas sen filtro’ (1983), ‘Os Vellos non deben de namorarse’ (1985), ‘O enfermo imaxinario’ (1986), ‘Xogos de damas’ (1987), ‘Medea’ (1987), ‘O Coronel ten a quen lle escribir’ (1988), ‘Galicia, S.L.’ (1988), ‘De par en par’ (1989), ‘As Alegres Casadas’ (1989, Compostela Prize in 1990 to the best theatre performance), ‘Rei Lear’ (1990), ‘Tagen Ata’ (1990), ‘Os Xustos’ (1991), ‘Un soño de Verán’ (1992), ‘Galileo Galilei’ (1993), ‘A vía láctea’ (1993), ‘As vodas de Fígaro’ (1994), ‘Historias Peregrinas’ (1995), ‘Noite de Reis’ (1996), ‘Unha rosa é unha rosa, unha comedia de medo’ (1997), ‘El embrujado’ (1998), ‘A Celestina, comedia dos tolos amores de Calisto e Melibea’ (2000), ‘A Cacatúa verde’ (2001), ‘As damas de Ferrol’ (2002) and ‘Ensaio’ (2004).